Haakon
has an accommodating arse
I get that, just an example to demonstrate that formulaic dross is not a by product of being yoof. Grace Cummings is Australian though.OK but they're from England, so not eligible for that list.
I get that, just an example to demonstrate that formulaic dross is not a by product of being yoof. Grace Cummings is Australian though.OK but they're from England, so not eligible for that list.
Huh? I thought multiple personality disorder was just a myth?I try to...find something nice to say where I can even if I don’t like it.
I mean… It’s at least consistent throughout that 8 minutes.you've never heard Innerbloom before??
Listening to it again.. just because...
Dunno. Don't know enough about triple j these days to hate it or not… But pretty sure I wasn’t particularly interesting when I was 28, although it was a while ago so my memory is a bit spotty…Isn’t hating on JJJ that thing you do to prove what an interesting 28 year old you are, and that you can’t bear to resign to the fact that popularity contests are never going to capture the exquisite musical taste you curated to suppress your unfilled desire for social inclusion?
Urrgh… autotune… sounds like something that might car mods guy would make.
Hmm perhaps I needed to add the /sNope, plenty of quality music by the yoof these days. One standout in recent years was Black Country New Road - bunch of teenagers when they put their bloody excellent first album out a few years ago.
Triple J has changed, to a degree, but so has everything else, including me.
Was in my late teens, not so much these days.this more up your alley?
That's my gripe with it - it's sounding more and more like 2DayFM each time I listen to it.it's way more poppy than before,
I second this.That's my gripe with it - it's sounding more and more like 2DayFM each time I listen to it.
DoubleJ is where the action is at. It sounds like what TripleJ did in the 90s; lot's of Australian music, huge variety genres, and the play list is not based on what's trending.
Countdown was just odd. Don’t mind the number one, that’s a brilliant album all round. Not surprised to see cold chisel - not my bag (too many bogan associations…) but I get it and Barnsy turned a decent bloke. Paul Kelly I really don’t get - objectively fucking awful, I think hipsters pretend to like him.I second this.
Unlike @Haakon we enjoyed the countdown though I will admit to a Principal Skinner moment when The Veronicas tapped the #3 position.
I was actually surprised at the amount of music on it that was deep (if not well past) into its second decade.
Which suggests that the sheer volume and diversity of Oz music and our improved access to it in the last decade has actually been a good thing for all music lovers who all now like some really different stuff...
objectively
Double J was revived because of all the whining from the GenXers that couldn’t deal with the fact that music had moved on.That's my gripe with it - it's sounding more and more like 2DayFM each time I listen to it.
DoubleJ is where the action is at. It sounds like what TripleJ did in the 90s; lot's of Australian music, huge variety genres, and the play list is not based on what's trending.
Heh, can admit it wasn't just Gen Xers, plenty of Gen Ys also squealling like stuck pigs after Triple J's Hottest 100 seemingly nosedived into 30 different variations of Kings of Leon, Snow Patrol or Fisher Price My First Led Zeppelin (Wolfmother) by the late 2000s (at least the latter is Australian though I guess).Double J was revived because of all the whining from the GenXers that couldn’t deal with the fact that music had moved on.
FFS a 90’s Australian music FB page has the members losing their shit over the H100 results. Dozens of posts sooking about why regurgitator didn’t make the cut!
Double J occasionally gets a play in my car but it’s mostly 3rrr or 3pbs. That’s where the real musics at.
It's not meant to be some empirical survey of the best quality, most original music ever made.Countdown was just odd
Music hasn’t moved on. If it had DoubleJ would be devoid of new music.Double J was revived because of all the whining from the GenXers that couldn’t deal with the fact that music had moved on.