Nice. I wasn't sure if this was a separate system to the one you described before.B&W 685 s2. Just recently got them and reignighted some audiophile in me. Thinking of picking up some 686 for the living room as front speakers but no space at the moment and house is not completed yet.
The comparison thing is hard though you may get two of them on the same setup, say the Cambridge and the Onkyo. Eastwood HiFi in Sydney do both for example.Wow you are in another league to me. I just hope your bike is worth at least as much as that setup otherwise GTFO lol!
You've got me back on cambridge now. I actually prefer their build, but most reviews are quite neutral *(not sounds neutral, as in so so about their overall offering). Like MarkL says though, I am no hardcore audiophile and find it hard to compare. I am not hardcore enough to lug speakers around to test and even then i think the setup of the room accounts for a lot. Problem is I can't manage to test all amps against each other in an ideal setting. One store might let me compare 3 brands they stock, and then another also, but then they'd use different speakers, or have a padded theatre room.
Changing my mind now and there is a cracker deal with the cambridge SR10 for $500, but something tells me that in order of rit to offer mor power and specs compared to a 351 for the same price, something is compromised.
Agree with the above especially in relation to headroom. Whilst more power is better as a general rule for the reasons outlined above, though it is a rough rule. If it is say 80 vs 85 watts - don't worry about it in my book it is in-material. In this case we are at Onkyo 65w vs Cambridge (and HK) 85watts/channel that is a noticeable difference.Always get more power than you think you will need. More power = more headroom = more impact/Dynamics.
And yes, my bikes owe me quite a bit as well...
Drive a hard bargain, you would not believe how much room there is to move from RRP. My 851W was $3600RRP and I picked it up for $2800 with some haggling and combining with the CXN.
Also don't fall into the trap of them bundling $$$ cables either. Copper is copper.
edit:
Just noticed that those B&W 685 s2's drop down to 3.5ohms, so if you start turning it up, your amp is going to hate you.
As a generalisation perhaps, but in absolute terms the last comment re B&W impedance (and applies especially to those with Kef B139 or any other driver that has an impedance profile that varies significantly with frequency) is more critical. The important issue is matching amp with drivers, that is after you have decided the sound colouring you prefer, but then your choice of speaker has already dictated that for the most part.Always get more power than you think you will need. More power = more headroom = more impact/Dynamics.
Also don't fall into the trap of them bundling $$$ cables either. Copper is copper.
edit:
Just noticed that those B&W 685 s2's drop down to 3.5ohms, so if you start turning it up, your amp is going to hate you.
Move past the marketing BS, it is very thick in the 2 channel world. Copper purity isn't a topic of concern. Primary concern is geometry, this effects the magnetic field's shape.As a generalisation but in absolute terms, the last comment re B&W impedance (and applies especially to those with Kef B139 or any other driver that has an impedance profile that varies significantly with frequency) is also critical. The more important issue is matching amp with drivers, that is after you have decided the sound colouring you prefer, but then your choice of speaker has already dictated that for the most part.
The comment re copper is copper, is interesting, and well, wrong.
Agree. Statement "copper is copper" didn't discriminate and infers its a no gain area.Move past the marketing BS, it is very thick in the 2 channel world. Copper purity isn't a topic of concern. Primary concern is geometry, this effects the magnetic field's shape.
For those on a budget, Jon Risch's DIY cables are very hard to beat.
http://www.geocities.ws/jonrisch/index2.htm
Many many many manufacturers still being deceitful on impedance dips in all market segments ( domestic, pro, commercial ). During commissioning these days I use the Dayton Dats woofer tester for full small signal T&S data collection. It's so quick and easy, 2-3 seconds for everything. I still see 20-50% differences in many drivers free air resonance. Very few manufacturers will match drivers, even with two 18" drivers in a bin wired in parallel.As a generalisation perhaps, but in absolute terms the last comment re B&W impedance (and applies especially to those with Kef B139 or any other driver that has an impedance profile that varies significantly with frequency) is more critical. The important issue is matching amp with drivers, that is after you have decided the sound colouring you prefer, but then your choice of speaker has already dictated that for the most part.
And why selecting an amplifier that can handle difficult loads may also be important for a particular setup.Many many many manufacturers still being deceitful on impedance dips in all market segments ( domestic, pro, commercial ). During commissioning these days I use the Dayton Dats woofer tester for full small signal T&S data collection. It's so quick and easy, 2-3 seconds for everything. I still see 20-50% differences in many drivers free air resonance. Very few manufacturers will match drivers, even with two 18" drivers in a bin wired in parallel.
I tried to run this check through all the amps I have on my list (at the moment still in two worlds about audible difference for me, especially when I'm not lugging speakers around to test!). The problem I come up with is not that the Onkyo is comparably low powered, but that the cambridge stuff seems about double what typical amps in the class run. For example the entry level AM10 is rated 35wpc rms, with a whopping max power draw. Compared to others that are rated 40wpc they draw: PM5005 110w, Onkyo 9010 155w. Not sure what's going on but in my list the cambridge is actually the one that looks overstated. This doesn't help at all. Previously I've been using the weight indicator and that came up with strange results too. I assume all in this lower end amp will be the same class d and no valves lol so technically they shouldn't vary max power too much for the same wpc.From a headroom perspective I also like to look at the maximum power consumption as this tends to give a rough indication about how much power the unit can deal with - this impacts the headroom or its capacity to say drive two sets of speakers. The Onkyo maximum power consumption is 135 watts (remember it is claiming to deliver 2x65 =130watts), the Cambridge has a max consumption of 500watts which is considerably more than the 85x2=170 watts it is claiming or even 4x85 if running two sets of speakers. Now there are a million other things that come into it but an amps job is to make power (watts) and you can't get out more than you put in, you can't even get out what you put in due to heat losses etc. I read once that typically you are talking 30% per channel :noidea: and who knows how accurate the manufactures figures are but it seems unlikely that you are going to get 2x65watts if the total system max is 135watts...
For AV collective wisdom seems to be there is minimal sonic difference between different manufacturers product (at a given price point).I tried to run this check through all the amps I have on my list (at the moment still in two worlds about audible difference for me, especially when I'm not lugging speakers around to test!). The problem I come up with is not that the Onkyo is comparably low powered, but that the cambridge stuff seems about double what typical amps in the class run. For example the entry level AM10 is rated 35wpc rms, with a whopping max power draw. Compared to others that are rated 40wpc they draw: PM5005 110w, Onkyo 9010 155w. Not sure what's going on but in my list the cambridge is actually the one that looks overstated. This doesn't help at all. Previously I've been using the weight indicator and that came up with strange results too. I assume all in this lower end amp will be the same class d and no valves lol so technically they shouldn't vary max power too much for the same wpc.
At the end of the day listening to them on your speakers in the your living room would be the best way of making the decision, we are looking at numbers, bashing away on keyboards when a few minutes listening would give the best answer...and you have to live with your choice not us:behindsofa:I tried to run this check through all the amps I have on my list (at the moment still in two worlds about audible difference for me, especially when I'm not lugging speakers around to test!). The problem I come up with is not that the Onkyo is comparably low powered, but that the cambridge stuff seems about double what typical amps in the class run. For example the entry level AM10 is rated 35wpc rms, with a whopping max power draw. Compared to others that are rated 40wpc they draw: PM5005 110w, Onkyo 9010 155w. Not sure what's going on but in my list the cambridge is actually the one that looks overstated. This doesn't help at all. Previously I've been using the weight indicator and that came up with strange results too. I assume all in this lower end amp will be the same class d and no valves lol so technically they shouldn't vary max power too much for the same wpc.
This is my pointThe 685's are a nice speaker for music also but you will need to consider something with sufficient current capacity to mange your speakers dynamic impedance.